(no subject)
Oct. 29th, 2025 12:44 pmJust came back from getting lots of stuff at the grocery outlet. Somewhat hung up because the girl on line ahead of me tried to walk out w/o paying for something and had to be called back in, I don't know if it was an honest mistake or if she was actually attempting to shoplift but I minded my own business.
Bloch
Oct. 29th, 2025 03:28 pmMy current model is a Heller model of a Bloch MB.152, a Fresh fighter plane from early WW2. It's not a great kit, so I'm scratch-building a complete cockpit for it, including instrument panel. Finding the right colours to use is a challenge; French military aircraft were not consistent nor well documented, and there aren't any survivors.

Convair XFY-1 "Pogo"
Oct. 29th, 2025 03:18 pmFinished, the Lindberg 1/48 XFY-1 "Pogo" VTOL aircraft. The Pogo was a weird beast, and only one pilot ever managed to successfully repeatedly fly it. The model kit was barebones, so I scratchbuilt the entire cockpit. I'm especially pleased with the bare metal and aluminum finish; I used Mr Color "Gun Chrome" for the bare metal, and it gives an excellent finish. The contra-rotating prop is geared - they actually move opposite directions.









Full album of pictures
Full album of pictures
BAe Hawk T.1
Oct. 29th, 2025 03:03 pmI finished the Revell 1/72 BAe Hawk T.1 model, depicting a plane flown by 208 Squadron for their 100th anniversary in 2016. Nice kit, very detailed for the size. The all-black colour scheme is eye-catching.






Full album of pictures
Full album of pictures
The smoking gun in Vanity Fair
Oct. 29th, 2025 09:24 amPublic
Content warning on this one for threats of sexual violence. I've deliberately put some of my own wording before the (text-only) screenshot, so you can stop reading now if you want to.
This is it. As I say, the smoking gun. If you've been following my posts about Sandra Peabody (originally credited as Sandra Cassell) and the abuse she suffered on the set of Wes Craven's early horror film, The Last House on the Left, then you'll know that one thing that's repeatedly frustrated me is how difficult the evidence is to find. It's not hidden exactly, but a lot of it's in un-Googled places like DVD commentary tracks, obscure video clips, or a making-of book that's been out of print for two decades. But now, finally, I've found something different.
This is from an actual mainstream publication: Vanity Fair. Specifically, from this article from March 2008. It's paywalled, and normally free users can't read very far down – as you may well find if you click that link – but very recently I was able to get legitimate access on some kind of very short-term mobile free trial offer. The article is called Killer Instincts, it's bylined Jason Zinoman, and it starts on p304 of the print edition. It's a long article – over 5,000 words – and the relevant part here is almost 2,000 words in, far beyond the usual paywall line. That's why I'm only reproducing the small section that's directly relevant:

It's pretty sickening stuff. If you've spent the time I have in researching what happened on this set, it's sadly not surprising that David Hess would say that. Nevertheless, it's extremely rare, possibly even unique given how difficult it was for me to find this, for him to be quoted saying something so directly repulsive in a mainstream publication. Hess is no longer around; he died in 2011. I would say "good", except that it means he'll never be held accountable.
Vanity Fair failed on that, too. After the extract I've included, without any further editorial comment, we get many paragraphs of rambly recollections from Wes Craven, the director of Last House on the Left. We get to learn all kinds of things about him, from his Baptist upbringing to the time he encountered Quentin Tarantino. What we don't get, anywhere, is Mr Zinoman actually asking Craven why he allowed behaviour like Hess's on his film set, and whether he regretted failing to protect a young and vulnerable actress.
Craven too is dead now, so that question too can never be asked. He left a more worthwhile legacy than Hess, and in his later career he does seem to have shown proper concern for his actors. But he didn't here, and as far as I'm aware he never once apologised for that. He got as far as a "She wasn't always acting" or a "We put her through hell", usually accompanied by that rueful chuckle of his, but actually saying sorry to the woman his actor terrorised was apparently a step too far.
I have serious issues with the way parts of the horror fandom still seem to idolise David Hess as "the Mad Hessian". He threatened a young woman with rape on set in autumn 1971, then spoke with no remorse about it 37 years later, and if that doesn't disqualify him then your moral radar is broken. I also have issues, more widely, with the whitewashing of Wes Craven's career. He did a lot of good things in his time, but the way he ran the Last House set wasn't one of them, and that needs to be said much more.
Sandra deserved so much better than this.
Content warning on this one for threats of sexual violence. I've deliberately put some of my own wording before the (text-only) screenshot, so you can stop reading now if you want to.
This is it. As I say, the smoking gun. If you've been following my posts about Sandra Peabody (originally credited as Sandra Cassell) and the abuse she suffered on the set of Wes Craven's early horror film, The Last House on the Left, then you'll know that one thing that's repeatedly frustrated me is how difficult the evidence is to find. It's not hidden exactly, but a lot of it's in un-Googled places like DVD commentary tracks, obscure video clips, or a making-of book that's been out of print for two decades. But now, finally, I've found something different.
This is from an actual mainstream publication: Vanity Fair. Specifically, from this article from March 2008. It's paywalled, and normally free users can't read very far down – as you may well find if you click that link – but very recently I was able to get legitimate access on some kind of very short-term mobile free trial offer. The article is called Killer Instincts, it's bylined Jason Zinoman, and it starts on p304 of the print edition. It's a long article – over 5,000 words – and the relevant part here is almost 2,000 words in, far beyond the usual paywall line. That's why I'm only reproducing the small section that's directly relevant:

It's pretty sickening stuff. If you've spent the time I have in researching what happened on this set, it's sadly not surprising that David Hess would say that. Nevertheless, it's extremely rare, possibly even unique given how difficult it was for me to find this, for him to be quoted saying something so directly repulsive in a mainstream publication. Hess is no longer around; he died in 2011. I would say "good", except that it means he'll never be held accountable.
Vanity Fair failed on that, too. After the extract I've included, without any further editorial comment, we get many paragraphs of rambly recollections from Wes Craven, the director of Last House on the Left. We get to learn all kinds of things about him, from his Baptist upbringing to the time he encountered Quentin Tarantino. What we don't get, anywhere, is Mr Zinoman actually asking Craven why he allowed behaviour like Hess's on his film set, and whether he regretted failing to protect a young and vulnerable actress.
Craven too is dead now, so that question too can never be asked. He left a more worthwhile legacy than Hess, and in his later career he does seem to have shown proper concern for his actors. But he didn't here, and as far as I'm aware he never once apologised for that. He got as far as a "She wasn't always acting" or a "We put her through hell", usually accompanied by that rueful chuckle of his, but actually saying sorry to the woman his actor terrorised was apparently a step too far.
I have serious issues with the way parts of the horror fandom still seem to idolise David Hess as "the Mad Hessian". He threatened a young woman with rape on set in autumn 1971, then spoke with no remorse about it 37 years later, and if that doesn't disqualify him then your moral radar is broken. I also have issues, more widely, with the whitewashing of Wes Craven's career. He did a lot of good things in his time, but the way he ran the Last House set wasn't one of them, and that needs to be said much more.
Sandra deserved so much better than this.
Piccolos
Oct. 29th, 2025 12:33 amPublic

270/365: Piccolos, Bewdley
Click for a larger, sharper image
Another fairly unexciting day, which is naturally par for the course for me! The most interesting thing I can remember seeing is a hole in the road on Park Lane where National Grid were replacing something or other. Yes, this is the level of thrills we get in Bewdley life. Today's photo is even more amazing, as it's a coffee shop I almost never go into! Piccolos is fine as far as service goes, but it's really cramped inside and so it doesn't feel comfortable lingering. What's the point of a coffee shop where you can't linger, eh?

270/365: Piccolos, Bewdley
Click for a larger, sharper image
Another fairly unexciting day, which is naturally par for the course for me! The most interesting thing I can remember seeing is a hole in the road on Park Lane where National Grid were replacing something or other. Yes, this is the level of thrills we get in Bewdley life. Today's photo is even more amazing, as it's a coffee shop I almost never go into! Piccolos is fine as far as service goes, but it's really cramped inside and so it doesn't feel comfortable lingering. What's the point of a coffee shop where you can't linger, eh?
Political Rant.....
Oct. 27th, 2025 08:38 pmExcuse my language, but I just have to say this.....
When the Fuck is this country going to stop allowing the Nazi Gestapo from terrorizing the citizens and those wanting to become citizens of this country?????
When the Fuck is this country going to stop allowing the Nazi Gestapo from terrorizing the citizens and those wanting to become citizens of this country?????
Quick hospital visit
Oct. 28th, 2025 12:52 amPublic

269/365: Bromsgrove Hospital
Click for a larger, sharper image
And I do mean quick: I was in Bromsgrove Hospital for about 15-20 minutes! The annoying thing was that, even with a lift, it took forever to get to and from Bromsgrove thanks to two separate long traffic lights on the road from Kidderminster. Also, I was starving by the time we got back as I'd declined the offer of a bite, which I rather regretted! Small hospital that it is, its restaurant is only open at lunchtime, which is less than ideal if your appointment is at 16:15... anyway, I was there for routine eye screening, and I always like going to Bromsgrove for that as it has the most modern equipment and so the scans are very quick. No need for dilating eye drops these days! The photo above is exactly what you'd expect, but it does show you how small the place is. There's a small two-storey wing just to the right, but that's about all.

269/365: Bromsgrove Hospital
Click for a larger, sharper image
And I do mean quick: I was in Bromsgrove Hospital for about 15-20 minutes! The annoying thing was that, even with a lift, it took forever to get to and from Bromsgrove thanks to two separate long traffic lights on the road from Kidderminster. Also, I was starving by the time we got back as I'd declined the offer of a bite, which I rather regretted! Small hospital that it is, its restaurant is only open at lunchtime, which is less than ideal if your appointment is at 16:15... anyway, I was there for routine eye screening, and I always like going to Bromsgrove for that as it has the most modern equipment and so the scans are very quick. No need for dilating eye drops these days! The photo above is exactly what you'd expect, but it does show you how small the place is. There's a small two-storey wing just to the right, but that's about all.
Marilyn Burns: Final Girl
Oct. 27th, 2025 01:41 pmPublic
And for anyone who's seen The Texas Chain Saw Massacre, as I now have, I want to be clear: my subject line is accurate. I don't mean her character, Sally Hardesty, though she was indeed a proto-Final Girl. I mean the actress herself, Marilyn Burns.
In my recent post, I detailed three particularly nasty examples of her mistreatment while making the film, but these were far from the only ones. Among other things she was semi-accidentally hit on the head with a sledgehammer whose steel shaft hadn't been made safe, was hurt doing a six/seven-foot jump involving sugar glass that had hardened in the humid conditions (her limp near the end is genuine), smashed up both knees to be bleeding pretty badly after 17 takes of the gas station sequence (Tobe Hooper: "It was terrible, but it played very well"), was chased through dark woods with a live chainsaw (chain off, but rubber belt on), and – for just a second – was in a room with a Gunnar Hansen who literally wanted to kill her because the set conditions had driven him deluded and for that moment he thought he was Leatherface.
So, Final Girl? Let's have a look at the scorecard:
1) Moral superiority. Her safety was treated as rather a low priority by Tobe Hooper and his obsession with bloody "raw authenticity", leading to injury after injury. She was upset by neither him nor anyone else on set praising her performances. Yet in later years, while she was honest about what she'd faced, she never sounded vindictive or twisted, and she was willing to remain on good terms with Hooper, Hansen (except for a while after his knife deception was revealed) and the others. She didn't treat anyone else the way Hooper treated her. Box ticked.
2) Resourcefulness. Despite not being an experienced actress, she was able to produce a performance that is still talked about while frequently acting under extreme duress – exhaustion and overheating at best, active abuse and assault at worst. She did most of her own stunts, some of which were significantly more dangerous than those of many other actresses of the era and genre – sometimes even more reminiscent of the silent era. Box ticked.
3) Resilience. Are you kidding me? Let me remind you that she somehow made it through a shoot where, in the space of five weeks, she had been beaten to the point of unconsciousness, dripped with her own blood, assaulted with a knife, run from working chainsaws and done about 900 takes of every angle regardless of fatigue because of Tobe sodding Hooper's cavalier attitude to her safety and obsessive artistic perfectionism. Box ticked.
4) Survival. On this set, that didn't just mean getting through a tedious, tiring shoot. It literally meant what it says: survival. She could have died in several ways out there: if Hansen's delusion had lasted a little longer, if the steel-cored "broom" had caught her an unlucky blow on the temple, if the sledgehammer had been wielded a bit too hard, if she'd succumbed to the extreme heat of the dinner scene, if a chainsaw accident in the dark had severed an artery... Box ticked.
5) Overcoming her monster. The "monster" here is probably a combination of things. Tobe Hooper (yes, again), the generally appallingly unsafe set, and the brutal Texas heat. In post-production, Hooper deliberately drove her to emotional collapse for the eye close-up scene, despite being under nothing like the pressure he had been on set. The set involved genius stunts like one actor putting gunpowder on his hand and lighting a match. All this should have broken her. It didn't. Box ticked.
6) Bearing witness. Burns didn't retreat into a quiet life once TCM had finished filming. She chose to lean into her experience and engage with fans and journalists, guest at conventions, do Q&A sessions and interviews, and more besides. She was straightforward about how hard her experience had been, but she almost never crossed into bitterness or anger. Once she knew the truth about Hansen's lie, she was able to talk about it fully. Box ticked.
So there we are. A perfect full house. The whole point of the Final Girl is that she's supposed to be fictional, something impossible to recreate in real life. Yet Burns did it – and she did it without the predestined protection of the script that her fictional counterparts have. She faced moments when it was genuinely uncertain whether she would leave that movie set alive. Her treatment was unconscionable, and she should never have had to earn this title. But since she did:
And for anyone who's seen The Texas Chain Saw Massacre, as I now have, I want to be clear: my subject line is accurate. I don't mean her character, Sally Hardesty, though she was indeed a proto-Final Girl. I mean the actress herself, Marilyn Burns.
In my recent post, I detailed three particularly nasty examples of her mistreatment while making the film, but these were far from the only ones. Among other things she was semi-accidentally hit on the head with a sledgehammer whose steel shaft hadn't been made safe, was hurt doing a six/seven-foot jump involving sugar glass that had hardened in the humid conditions (her limp near the end is genuine), smashed up both knees to be bleeding pretty badly after 17 takes of the gas station sequence (Tobe Hooper: "It was terrible, but it played very well"), was chased through dark woods with a live chainsaw (chain off, but rubber belt on), and – for just a second – was in a room with a Gunnar Hansen who literally wanted to kill her because the set conditions had driven him deluded and for that moment he thought he was Leatherface.
So, Final Girl? Let's have a look at the scorecard:
1) Moral superiority. Her safety was treated as rather a low priority by Tobe Hooper and his obsession with bloody "raw authenticity", leading to injury after injury. She was upset by neither him nor anyone else on set praising her performances. Yet in later years, while she was honest about what she'd faced, she never sounded vindictive or twisted, and she was willing to remain on good terms with Hooper, Hansen (except for a while after his knife deception was revealed) and the others. She didn't treat anyone else the way Hooper treated her. Box ticked.
2) Resourcefulness. Despite not being an experienced actress, she was able to produce a performance that is still talked about while frequently acting under extreme duress – exhaustion and overheating at best, active abuse and assault at worst. She did most of her own stunts, some of which were significantly more dangerous than those of many other actresses of the era and genre – sometimes even more reminiscent of the silent era. Box ticked.
3) Resilience. Are you kidding me? Let me remind you that she somehow made it through a shoot where, in the space of five weeks, she had been beaten to the point of unconsciousness, dripped with her own blood, assaulted with a knife, run from working chainsaws and done about 900 takes of every angle regardless of fatigue because of Tobe sodding Hooper's cavalier attitude to her safety and obsessive artistic perfectionism. Box ticked.
4) Survival. On this set, that didn't just mean getting through a tedious, tiring shoot. It literally meant what it says: survival. She could have died in several ways out there: if Hansen's delusion had lasted a little longer, if the steel-cored "broom" had caught her an unlucky blow on the temple, if the sledgehammer had been wielded a bit too hard, if she'd succumbed to the extreme heat of the dinner scene, if a chainsaw accident in the dark had severed an artery... Box ticked.
5) Overcoming her monster. The "monster" here is probably a combination of things. Tobe Hooper (yes, again), the generally appallingly unsafe set, and the brutal Texas heat. In post-production, Hooper deliberately drove her to emotional collapse for the eye close-up scene, despite being under nothing like the pressure he had been on set. The set involved genius stunts like one actor putting gunpowder on his hand and lighting a match. All this should have broken her. It didn't. Box ticked.
6) Bearing witness. Burns didn't retreat into a quiet life once TCM had finished filming. She chose to lean into her experience and engage with fans and journalists, guest at conventions, do Q&A sessions and interviews, and more besides. She was straightforward about how hard her experience had been, but she almost never crossed into bitterness or anger. Once she knew the truth about Hansen's lie, she was able to talk about it fully. Box ticked.
So there we are. A perfect full house. The whole point of the Final Girl is that she's supposed to be fictional, something impossible to recreate in real life. Yet Burns did it – and she did it without the predestined protection of the script that her fictional counterparts have. She faced moments when it was genuinely uncertain whether she would leave that movie set alive. Her treatment was unconscionable, and she should never have had to earn this title. But since she did:
Marilyn Burns. The real Final Girl.
Monday At The Movies.....
Oct. 27th, 2025 04:30 amThis Week's Movie Quote...
A. K.: On the evening of October 7, 1989 several hundred people got together for some evening exercise and marched for the right to go for walks without the Berlin Wall getting in their way.
Last Week's Movie Quote...
Elsie: [Marlene is crying hysterically] Is she sober?
Mr. Stringer: Yes she's sober! I've been with her all aftern... When... I... Uh... I saw her w... Yes, of course she's sober! Don't be stupid!
This comes from the 1990 version of the movie, "The Witches".
The Grand High Witch is played by Angelica Houston and Mr. Stringer is played by Rowan Atkinson, and the assistant to the Grand High Witch is played by Jane Horrocks who is famous, imho, for playing Bubbles on Absolutely Fabulous.
Those Who Knew or Guessed Correctly...
seaivy
christalin80
sidhe_uaine42
man_of_snows
meathiel
thoughtsbykat
sunshine_two
adminbear
gushgush
A. K.: On the evening of October 7, 1989 several hundred people got together for some evening exercise and marched for the right to go for walks without the Berlin Wall getting in their way.
Open to: Registered Users, detailed results viewable to: All, participants: 4
Which Movie Does This Quote Come From?
View Answers
A Coffee In Berlin
0 (0.0%)
Die Welle
1 (25.0%)
Good Bye, Lenin!
1 (25.0%)
I Don't Have A Clue.....
2 (50.0%)
Last Week's Movie Quote...
Elsie: [Marlene is crying hysterically] Is she sober?
Mr. Stringer: Yes she's sober! I've been with her all aftern... When... I... Uh... I saw her w... Yes, of course she's sober! Don't be stupid!
This comes from the 1990 version of the movie, "The Witches".
The Grand High Witch is played by Angelica Houston and Mr. Stringer is played by Rowan Atkinson, and the assistant to the Grand High Witch is played by Jane Horrocks who is famous, imho, for playing Bubbles on Absolutely Fabulous.
Those Who Knew or Guessed Correctly...
Songs From The Movies.....
Oct. 27th, 2025 03:17 amThis week's song is "The Thrill is Gone" by the great B.B. King.
It was used in the 2007 movie, "The Ultimate Gift".
It was used in the 2007 movie, "The Ultimate Gift".
And now it's basically winter
Oct. 27th, 2025 12:17 amPublic

268/365: A gate and a field
Click for a larger, sharper image
The clocks have gone back, which means sunset is suddenly well before five and it's dark the whole way through after teatime. It is (briefly) a little bit lighter in the mornings, but I'm not really an early morning person when I can help it. The weather was mostly grey again, albeit with one or two breaks. Today's photo is me really scraping the barrel. Well, no, it's not that. I'm not sure I have a barrel. It's just a gate leading to a field by the interestingly named Snuff Mill Walk. I have absolutely no idea whether said road ever boasted an actual snuff mill; these days it's simply a mildly posh residential cul-de-sac.

268/365: A gate and a field
Click for a larger, sharper image
The clocks have gone back, which means sunset is suddenly well before five and it's dark the whole way through after teatime. It is (briefly) a little bit lighter in the mornings, but I'm not really an early morning person when I can help it. The weather was mostly grey again, albeit with one or two breaks. Today's photo is me really scraping the barrel. Well, no, it's not that. I'm not sure I have a barrel. It's just a gate leading to a field by the interestingly named Snuff Mill Walk. I have absolutely no idea whether said road ever boasted an actual snuff mill; these days it's simply a mildly posh residential cul-de-sac.
Comment Numbers.....
Oct. 25th, 2025 09:28 pmBetter Late Than Never.....
September
1.
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2.
seaivy 53
3.
christalin80 51
4.
thewayne DW 48
5.
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6.
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7.
gwendraith 31
8. Livejournal 29
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deepseasiren 28
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11.
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sidhe_uaine42 19
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chaquir 15
13.
pigshitpoet 15
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davesmusictank 11
16.
merlinwon 10
17.
man_of_snows 9
17.
adminbear 9
17.
matrixmann 9
20.
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21.
thoughtsbykat 6
21.
i 6
23.
fairy69version2 5
23.
halfmoon_mollie 5
23.
spikesgirl58 5
26.
thewayne LJ 4
26.
sunshine_two 4
26.
ravena_kade DW 4
26.
ron_broxted 4
30.
joseph_teller 3
30.
murakozi 3
30.
theirgrammy 3
30.
armiphlage 3
30.
ms_eclectic 3
30.
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30.
fervid_dryfire 3 BANNED
37.
cmcmck 2
37.
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37.
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37.
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37.
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37.
melime2 2
43.
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43.
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43.
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43.
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43.
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43.
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43.
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Likes 32
September
1.
2.
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5.
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8. Livejournal 29
9.
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Likes 32
(no subject)
Oct. 25th, 2025 06:10 pmI had a nice time with my friend earlier today at this thing they do every Saturday before Halloween in my neighborhood where they wear costumes and give out candy and stuff. It was raining so they didn't do the outdoor live music and some of the other stuff, I missed the free rub on tattoos, but we had fun.
Bug hotel
Oct. 26th, 2025 12:16 amPublic

267/365: Bug Hotel, Worcester
Click for a larger, sharper image
Another trip to Worcester today to have a nice afternoon with My Little Pony fandom friends, including one who hadn't managed to make it for several months and persevered despite being inconvenienced pretty badly by CrossCountry Trains. (This is not exactly rare.) We had a nice few hours, as we nearly always do, in spite of the lighting in the basement we use gradually failing through the weeks to the point where our side of the big table we sit at now has one working bulb! Today's photo is of the Bug Hotel near Worcester Library – appropriately known as the Hive – which is there to attract insects. Not much going on today that I could see, but then it is almost the end of October. Clocks going back tonight, which definitely heralds the end of the outdoor season for me if the rain hadn't already done it.

267/365: Bug Hotel, Worcester
Click for a larger, sharper image
Another trip to Worcester today to have a nice afternoon with My Little Pony fandom friends, including one who hadn't managed to make it for several months and persevered despite being inconvenienced pretty badly by CrossCountry Trains. (This is not exactly rare.) We had a nice few hours, as we nearly always do, in spite of the lighting in the basement we use gradually failing through the weeks to the point where our side of the big table we sit at now has one working bulb! Today's photo is of the Bug Hotel near Worcester Library – appropriately known as the Hive – which is there to attract insects. Not much going on today that I could see, but then it is almost the end of October. Clocks going back tonight, which definitely heralds the end of the outdoor season for me if the rain hadn't already done it.
Sad News.....
Oct. 25th, 2025 06:01 pmAww, we lost one of the great tv moms and a wonderful actress.....
June Lockhart, Lassie and Lost in Space Actress Who Was One of the Last Surviving Stars from Hollywood's Golden Age, Dies at 100
She was also known for movies like 'A Christmas Carol' and 'Meet Me in St. Louis'
By Victoria Edel and Nicholas Rice
https://people.com/june-lockhart-dead-lassie-and-lost-in-space-actress-dies-at-100-8621340?hid=7f1109a25d2362f31854399df255b82ba78f015e&did=20001102-20251025&utm_source=ppl&utm_medium=email&utm_campaign=ppl-breaking-news_newsletter&utm_content=102525&lctg=7f1109a25d2362f31854399df255b82ba78f015e&lr_input=758ad690760192cf49795c3f52223721cac5324e3e862e41c5d4db73a4d43f32&campaign=15366907
June Lockhart, Lassie and Lost in Space Actress Who Was One of the Last Surviving Stars from Hollywood's Golden Age, Dies at 100
She was also known for movies like 'A Christmas Carol' and 'Meet Me in St. Louis'
By Victoria Edel and Nicholas Rice
https://people.com/june-lockhart-dead-lassie-and-lost-in-space-actress-dies-at-100-8621340?hid=7f1109a25d2362f31854399df255b82ba78f015e&did=20001102-20251025&utm_source=ppl&utm_medium=email&utm_campaign=ppl-breaking-news_newsletter&utm_content=102525&lctg=7f1109a25d2362f31854399df255b82ba78f015e&lr_input=758ad690760192cf49795c3f52223721cac5324e3e862e41c5d4db73a4d43f32&campaign=15366907
